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<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description>Beyond-
 A Discussionhref&gt;

Questions, Comments, and/or Suggestions:
- Jill Yoe Graveshref&gt;

I started this blog as a place to watch and showcase the contributions of those looking for ways to continue and push what Design can be in today’s society. I see that Design has great potential to positively impact our world, and a large part of this move forward requires us to examine our ideas and roles from every angle. 

Throughout my observations, I plan to especially keep an eye out for students who are looking to participate in this conversation. I hope this can be a forum that is not only devoted to capturing and disseminating the work that is breaking traditional boundaries of disciplines, problem solving, and design thinking, but to also be a place where current works and ideas can be discussed, critiqued and developed.</description><title>Beyond Boundaries</title><generator>Tumblr (3.0; @jillyoe)</generator><link>http://capture-release.org/</link><item><title>Cigarette machine vending BOOKS
via Inhabitat

German publishing...</title><description>&lt;img src="http://27.media.tumblr.com/tumblr_lskuhcJX8o1qzmt62o1_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://30.media.tumblr.com/tumblr_lskuhcJX8o1qzmt62o2_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://26.media.tumblr.com/tumblr_lskuhcJX8o1qzmt62o3_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://29.media.tumblr.com/tumblr_lskuhcJX8o1qzmt62o4_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;p&gt;Cigarette machine vending&lt;strong&gt; BOOKS&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;via &lt;a title="Inhabitat" target="_blank" href="http://inhabitat.com/old-cigarette-vending-machines-repurposed-to-dispense-books/book-vend3/"&gt;Inhabitat&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;German publishing company &lt;a id="dp:-" title="Hambuger Automatenverlag" href="http://www.automatenverlag.de/Blog/" target="_blank"&gt;Hamburger Automatenverlag&lt;/a&gt; found a brilliant new use for old cigarette vending machines — instead of icky cigarettes, the re-purposed &lt;a id="iprs" title='"machines"' href="http://www.automatenverlag.de/Blog/?page_id=22" target="_blank"&gt;“machines”&lt;/a&gt; carry a series of condensed novels, photo books, graphic novels and  collections of poetry by local authors. The new initiative for book  distribution is a throwback to the conventional vending machine and  promotes literacy in a clever and charming way.&lt;/p&gt;
&lt;p&gt;As smoking regulations keep getting stricter and prices continue to  soar, the cigarette vending machines that used to be commonly found in  convenience stores, restaurants and bars are now things of the past. &lt;a id="f-.d" title='"The Machines"' href="http://www.automatenverlag.de/Blog/?page_id=22" target="_blank"&gt;The machines&lt;/a&gt; are valued for their robust mechanics however, and &lt;a id="dp:-" title="Hambuger Automatenverlag" href="http://www.automatenverlag.de/Blog/" target="_blank"&gt;Hamburger Automatenverlag&lt;/a&gt; just needed to make a few small adjustments to transform them into book  vending machines (a layer of paint, eye-catching graphics and some  shiny new hardware).&lt;/p&gt;
&lt;p&gt;The machines request 4 euros in coins (approximately 5 US dollars),  which is inserted into the front of the unit. Then, after a small tug on  a spring-loaded knob, the requested book is dispensed.  The restored  vending machines are also part of a public art series that will be  distributed around they city of Hamburg.&lt;/p&gt;
&lt;p&gt;&lt;big&gt;&lt;a id="dp:-" title="Hambuger Automatenverlag" href="http://www.automatenverlag.de/Blog/" target="_blank"&gt;+ Hamburger Automatenverlag&lt;/a&gt;&lt;/big&gt;&lt;/p&gt;
&lt;p&gt;Via &lt;a id="xhuw" title="coolhunter" href="http://www.coolhunting.com/culture/hamburger-autom.php?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed:+ch+%28Cool+Hunting%29" target="_blank"&gt;COOL HUNTING&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;br/&gt;Read more:  &lt;a href="http://inhabitat.com/old-cigarette-vending-machines-repurposed-to-dispense-books/book-vend3/#ixzz1Zsg2B1ik" target="_blank"&gt;Old Cigarette Vending Machines Repurposed to Dispense Books Book Vending Machine – Inhabitat - Green Design Will Save the World&lt;/a&gt; &lt;br/&gt;</description><link>http://capture-release.org/post/11052200224</link><guid>http://capture-release.org/post/11052200224</guid><pubDate>Wed, 05 Oct 2011 01:12:48 -0400</pubDate><category>sustainable design</category><category>service design</category><category>Green</category><category>vending maching</category><category>Cool Hunting</category><category>inhabitat</category><category>Hamburger Automatenverlag</category></item><item><title>Strong Women, Small Movements, Incredible Change
In a time and a...</title><description>&lt;iframe width="400" height="225" src="http://www.youtube.com/embed/IGMW6YWjMxw?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p class="MsoNormal"&gt;&lt;em&gt;&lt;strong&gt;Strong Women, Small Movements, Incredible Change&lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;In a time and a place where women did not have a voice, &lt;a title="Wangari Maathai, Nobel Peace Prize Laureate, Dies at 71" target="_blank" href="http://www.nytimes.com/2011/09/27/world/africa/wangari-maathai-nobel-peace-prize-laureate-dies-at-71.html?_r=1&amp;hp"&gt;Wangari Maathai&lt;/a&gt; stood sound against the most forceful powers in Kenya to protect the people and environment of her native country. Maathai’s initial small act addressing the needs of women in her village turned into a movement that ultimately helped bring down Kenya’s twenty-four-year dictatorship. Along the way, the movement grew to provided new sources of food and income to rural communities, gave previously impoverished and powerless women a voice and role in creating change within their country, and reclaimed the country’s land from 100 years of deforestation.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p class="MsoNormal"&gt;As quoted in the &lt;em&gt;&lt;a title="Wangari Maathai, Nobel Peace Prize Laureate, Dies at 71" target="_blank" href="http://www.nytimes.com/2011/09/27/world/africa/wangari-maathai-nobel-peace-prize-laureate-dies-at-71.html?_r=1&amp;hp"&gt;New York Times&lt;/a&gt;&lt;/em&gt; today, &lt;em&gt;“Wangari Maathai was known to speak truth to power,”&lt;/em&gt; said John Githongo,  an anti-corruption campaigner in Kenya who was forced into exile for  several years for his own outspoken views.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p class="MsoNormal"&gt;Starting with the simple act of planting trees to address the need for water and firewood in her village, Maathai started a movement that resounded throughout her country. Now her institiution that was started in 1977, &lt;a title="The Green Belt Movement" target="_blank" href="http://www.greenbeltmovement.org/"&gt;The Green Belt Movement&lt;/a&gt;, has planted over 35 million trees and has greatly contributed to &lt;a title="Sustainable Development" target="_blank" href="http://en.wikipedia.org/wiki/Sustainable_development"&gt;sustainable development&lt;/a&gt; in Africa.&lt;/p&gt;
&lt;p&gt;At first, Maathai and the women from her village were seen as voiceless nothings. &lt;span&gt; &lt;/span&gt;However, no matter the women’s simple agenda, harassment from the government began when they noticed the strength of the organization. An effort to debase womanhood was emphasized. There are clips of Kenya’s President, Daniel arap Moi, laughing and degragating Maathai and the acts of the women who work with her. Maathai’s response to the harassment was simply, &lt;em&gt;“…we are planting trees for our country. A legacy for our children as our ancestors left a legacy for us. So let us not be pushed around.”&lt;/em&gt; One of the women from the village stated, &lt;em&gt;“Wangari has given me the strength to know if I fight for something, I can make it happen.”&lt;/em&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p class="MsoNormal"&gt;&lt;em&gt;It’s the people who set their environment. It’s the people that must make their leaders change. And we cannot be intimidated. So we must stand up for what we believe in.&lt;/em&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;strong&gt;Wangari Maathai&lt;/strong&gt;&lt;em&gt;&lt;br/&gt;(&lt;span class="st"&gt;April 1, 1940 – September 25, 2011)&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p class="MsoNormal"&gt;&lt;br/&gt; More here:&lt;br/&gt;&lt;a title="Wangari Maathai &amp; The Green Belt Movement" target="_blank" href="http://youtu.be/BQU7JOxkGvo"&gt;The Green Belt Movement and the connection between poverty &amp; environmental concerns &lt;/a&gt;&lt;/p&gt;</description><link>http://capture-release.org/post/10687740116</link><guid>http://capture-release.org/post/10687740116</guid><pubDate>Mon, 26 Sep 2011 11:01:00 -0400</pubDate><category>Wangari Mathai</category><category>Kenya</category><category>human rights</category><category>Green Belt Movement</category><category>environmentalist</category><category>anti-corruption</category><category>feminist</category></item><item><title>“…there are signs within the design community to...</title><description>&lt;img src="http://27.media.tumblr.com/tumblr_lq1dus2acF1qzmt62o1_250.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;“…there are signs within the design community to advance service design. One of the issues motivating current research is the idea that service designers create multiple contacts, or &lt;em&gt;touchpoints&lt;/em&gt;, between service organizations and their clients, including material artifacts, environments, interpersonal encounters, and more. The identification of touchpoints as an object of service design is a clear step away from the imposition of the goods-centered paradigms of the past.”&lt;/p&gt;
&lt;p&gt;&lt;em&gt;The Object of Service Design&lt;/em&gt;&lt;br/&gt;Fernando Secomandi, Dirk Snelders&lt;/p&gt;</description><link>http://capture-release.org/post/9006855326</link><guid>http://capture-release.org/post/9006855326</guid><pubDate>Tue, 16 Aug 2011 15:52:00 -0400</pubDate><category>Service Design</category><category>design research</category><category>touchpoints</category><category>Design Issues magazine</category><category>MIT press journals</category></item><item><title> 
“Wicked Problems”
Structuring Social Messes with...</title><description>&lt;img src="http://29.media.tumblr.com/tumblr_lpkjxyXxLk1qzmt62o1_r1_400.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;h1&gt;&lt;strong&gt;“Wicked Problems”&lt;br/&gt;&lt;/strong&gt;&lt;/h1&gt;
&lt;h3&gt;&lt;span&gt;&lt;a title="Structuring Social Messes with Morphological Analysis" target="_blank" href="http://www.swemorph.com/wp.html"&gt;Structuring Social Messes with Morphological Analysis&lt;/a&gt;&lt;/span&gt;&lt;/h3&gt;
&lt;p&gt;&lt;em&gt;via &lt;span&gt;&lt;a title="Swedish Morphological Society" target="_blank" href="http://www.swemorph.com/"&gt;Swedish Morphological Society&lt;/a&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;&lt;span&gt;“&lt;/span&gt;&lt;/em&gt;&lt;span&gt;If you work in an organisation that deals with long-term social, commercial or organisational policy planning, then you’ve got &lt;em&gt;wicked problems&lt;/em&gt;. You may not call them by this name, but you know what they are. They are those complex, ever changing societal and organisational planning problems that you haven’t been able to treat with much success, because they won’t keep still. They’re messy, devious, and &lt;em&gt;reactive&lt;/em&gt;, i.e. they fight back when you try to deal them.”&lt;/span&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;span&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;h3&gt;Introduction&lt;/h3&gt;
In 1973, Horst Rittel and Melvin Webber, both urban planners at the University of Berkley in California, wrote an article for&lt;em&gt;Policy Sciences&lt;/em&gt; with the astounding title “Dilemmas in a General Theory of Planning”. In this landmark article, the authors observed that there is a whole realm of social planning problems that cannot be successfully treated with traditional linear, analytical (systems-engineering-like) approaches. They called these &lt;em&gt;wicked problems&lt;/em&gt;, in contrast to &lt;em&gt;tame problems&lt;/em&gt;. &lt;br/&gt;&lt;br/&gt;(A year later, in his book “Redesigning the Future”, Russell Ackoff (1974) essentially put forward the same concept — although in less detail — which he called a “social mess” or “unstructured reality”.) &lt;br/&gt;&lt;/blockquote&gt;
&lt;p&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;a title="Structuring Social Messes with Morphological Analysis" target="_blank" href="http://www.swemorph.com/wp.html"&gt;more here&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;Image from &lt;em&gt;&lt;a title="Design thinking for wicked problems" target="_blank" href="http://www.tintypepop.com/2010/02/design-thinking/"&gt;What is “Design thinking for wicked problems?”&lt;/a&gt;&lt;/em&gt;&lt;/p&gt;</description><link>http://capture-release.org/post/8606372766</link><guid>http://capture-release.org/post/8606372766</guid><pubDate>Sun, 07 Aug 2011 13:51:00 -0400</pubDate><category>wicked problems</category><category>morphology</category><category>service design</category><category>social design</category><category>design thinking</category></item><item><title>COLLABORATIVE CONSUMPTION IN THE HOME - info graphic
Kelli...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lona05Ivu21qzmt62o1_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://29.media.tumblr.com/tumblr_lona05Ivu21qzmt62o2_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://28.media.tumblr.com/tumblr_lona05Ivu21qzmt62o3_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://30.media.tumblr.com/tumblr_lona05Ivu21qzmt62o4_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;p&gt;&lt;span&gt;COLLABORATIVE CONSUMPTION IN THE HOME - info graphic&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;strong&gt;&lt;a target="_blank" href="http://kellianderson.com/"&gt;Kelli Anderson&lt;/a&gt; : The Collaborative Home&lt;/strong&gt;&lt;br/&gt;&lt;/span&gt;&lt;span&gt;&lt;em&gt; &lt;a target="_blank" href="http://kellianderson.com/blog/2011/07/the-collaborative-home/"&gt;info graphic&lt;/a&gt; (get a closer look &lt;a target="_blank" href="http://www.collaborativefund.com/images/collaborativechart2.jpg"&gt;here&lt;/a&gt;) she cre­ated for &lt;a target="_blank" href="http://www.collaborativefund.com/"&gt;Collaborative Fund&lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;via &lt;/span&gt;&lt;span&gt;&lt;a title="designworklife" target="_blank" href="http://www.designworklife.com/2011/07/11/kelli-anderson-the-collaborative-home/?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+designworklife%2Fdwl+%28design+work+life%29"&gt;designworklife&lt;/a&gt;:&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;“&lt;/span&gt;&lt;span&gt;With a lay out and design based on the exploding diagram, the graphic aims to envision ‘how the concept of collaborative consumption could replace traditional consumption in the average home’ — an intrigu ing con cept &lt;em&gt;and&lt;/em&gt; design. Be sure to click over to &lt;a target="_blank" href="http://kellianderson.com/blog/2011/07/the-collaborative-home/"&gt;this post&lt;/a&gt; on her blog, where she gives plenty of insight into the con­cept and con struc tion of the piece.”&lt;/span&gt;&lt;/p&gt;</description><link>http://capture-release.org/post/7851257945</link><guid>http://capture-release.org/post/7851257945</guid><pubDate>Wed, 20 Jul 2011 14:28:00 -0400</pubDate><category>design work life</category><category>information graphics</category><category>Kelli Anderson</category><category>The collaborative home</category><category>energy</category><category>consumption</category></item><item><title>Life is a typographic sculpture by Joonho Kwon about female...</title><description>&lt;img src="http://29.media.tumblr.com/tumblr_lnvek9OdQd1qzmt62o1_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://27.media.tumblr.com/tumblr_lnvek9OdQd1qzmt62o2_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://30.media.tumblr.com/tumblr_lnvek9OdQd1qzmt62o3_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://26.media.tumblr.com/tumblr_lnvek9OdQd1qzmt62o4_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://30.media.tumblr.com/tumblr_lnvek9OdQd1qzmt62o5_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://27.media.tumblr.com/tumblr_lnvek9OdQd1qzmt62o6_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://26.media.tumblr.com/tumblr_lnvek9OdQd1qzmt62o7_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://25.media.tumblr.com/tumblr_lnvek9OdQd1qzmt62o8_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;p&gt;&lt;strong&gt;Life is a typographic sculpture by &lt;a title="Joonho Kwon" target="_blank" href="http://iamtibo.com/joonho-kwon-life/"&gt;Joonho Kwon&lt;/a&gt; about female North Korean refugees.&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Link to video of sculpture: &lt;a title="typographic sculpture" target="_blank" href="http://vimeo.com/25717077"&gt;&lt;a href="http://vimeo.com/25717077" target="_blank"&gt;http://vimeo.com/25717077&lt;/a&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;via &lt;a title="iamtibo blog" target="_blank" href="http://iamtibo.com/"&gt;iamtibo&lt;/a&gt;&lt;/p&gt;</description><link>http://capture-release.org/post/7268087293</link><guid>http://capture-release.org/post/7268087293</guid><pubDate>Tue, 05 Jul 2011 13:14:00 -0400</pubDate><category>Joonho Kwon</category><category>female North Korean refugees</category><category>human rights</category><category>life</category><category>sculpture</category><category>typography</category><category>visual communication</category><category>imtibo</category></item><item><title>"It is the mark of an educated mind to be able to entertain a thought without accepting it."</title><description>““It is the mark of an educated mind to be able to entertain a thought without accepting...</description><link>http://capture-release.org/post/3875525592</link><guid>http://capture-release.org/post/3875525592</guid><pubDate>Tue, 15 Mar 2011 07:37:07 -0400</pubDate></item><item><title>Creating a Local Food System in Abandoned Buildings
“The...</title><description>&lt;iframe src="http://player.vimeo.com/video/16093870" width="400" height="225" frameborder="0"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;strong&gt;Creating a Local Food System in Abandoned Buildings&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;“The Plant is a project combining adaptive industrial reuse and aquaponics to create Chicago’s first vertical farm.”&lt;/p&gt;
&lt;p&gt;The plan is to use abandoned buildings to create a local food system in Chicago… moving the food production to where the food is consumed in the city.
&lt;/p&gt;&lt;p class="MsoNormal"&gt;Innovated techniques are being tested to create less waste. “The whole project is about closing waste loops. So that nothing that leaves this facility, but food.”&lt;/p&gt;</description><link>http://capture-release.org/post/3565915090</link><guid>http://capture-release.org/post/3565915090</guid><pubDate>Mon, 28 Feb 2011 12:45:11 -0500</pubDate><category>aquaponics</category><category>Chicago</category><category>local food</category><category>R. Buckminster Fuller</category><category>closed loop system</category><category>sustainable</category><category>waste reduction</category><category>vertical farming</category><category>industrial reuse</category></item><item><title>Changing Education Paradigms
Here is a brilliant illustration...</title><description>&lt;iframe width="400" height="225" src="http://www.youtube.com/embed/zDZFcDGpL4U?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;h1&gt;Changing Education Paradigms&lt;/h1&gt;
&lt;p&gt;Here is a brilliant illustration that suggests some of the reasons why today’s public education in America is failing.&lt;/p&gt;</description><link>http://capture-release.org/post/1662760394</link><guid>http://capture-release.org/post/1662760394</guid><pubDate>Tue, 23 Nov 2010 17:55:22 -0500</pubDate><category>public education</category><category>educational reform</category><category>collaboration</category><category>divergent thinking</category><category>creativity</category><category>the arts</category><category>changing education paradigms</category><category>illustration</category></item><item><title>Conflict Kitchen
Conflict Kitchen is a take-out restaurant that...</title><description>&lt;img src="http://28.media.tumblr.com/tumblr_l96gbsN2NN1qzmt62o1_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://28.media.tumblr.com/tumblr_l96gbsN2NN1qzmt62o2_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://30.media.tumblr.com/tumblr_l96gbsN2NN1qzmt62o3_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://29.media.tumblr.com/tumblr_l96gbsN2NN1qzmt62o4_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://25.media.tumblr.com/tumblr_l96gbsN2NN1qzmt62o5_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://26.media.tumblr.com/tumblr_l96gbsN2NN1qzmt62o6_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://26.media.tumblr.com/tumblr_l96gbsN2NN1qzmt62o7_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;h1 id="name"&gt;&lt;a href="http://www.kickstarter.com/projects/1859717557/conflict-kitchen" target="_blank"&gt;Conflict Kitchen&lt;/a&gt;&lt;/h1&gt;
&lt;p&gt;&lt;strong&gt;Conflict Kitchen is a take-out restaurant that only serves cuisine  from countries with which the United States government is in conflict.&lt;/strong&gt; &lt;em&gt;Please help us to realize the next stage of the project, “Bolani Pazi”, an Afghan take-out restaurant.&lt;br/&gt;&lt;/em&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;h3&gt;&lt;em&gt;It is easy to forget that behind all of the government conflicts  there are people and a culture. When this personal connection is lost,  things become dangerous.&lt;/em&gt;&lt;/h3&gt;
&lt;/blockquote&gt;
&lt;p&gt;It is easy to forget that behind all of the government conflicts  there are people and a culture. &lt;strong&gt;When this personal connection is lost,  things become dangerous.&lt;/strong&gt; Conflict Kitchen creates a public forum and  space for &lt;strong&gt;discussions&lt;/strong&gt; that might not normally take place, &lt;strong&gt;mediated by  food&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Conflict Kitchen also programs &lt;strong&gt;public events&lt;/strong&gt; to more directly connect  everyday Americans with everyday people from the country of focus. For  example, Kubideh Kitchen brought together members of the public for a  live Skype meal between &lt;strong&gt;Tehran and Pittsburgh&lt;/strong&gt;, during which groups in  both countries shared the same meal on a virtually connected table: an &lt;strong&gt; inter-continental dinner party&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a title="Conflict Kitchen" target="_blank" href="http://www.kickstarter.com/projects/1859717557/conflict-kitchen"&gt;Read More&lt;/a&gt;&lt;/p&gt;</description><link>http://capture-release.org/post/1172989832</link><guid>http://capture-release.org/post/1172989832</guid><pubDate>Wed, 22 Sep 2010 21:15:47 -0400</pubDate><category>Conflict Kitchen</category><category>conflict resolution</category><category>foreign policy</category><category>culture</category><category>food</category><category>Tehran</category><category>Pittsburgh</category><category>social design</category></item><item><title>“SocialDesignSite.com is a non-profit organisation that...</title><description>&lt;img src="http://27.media.tumblr.com/tumblr_l9279u0CWy1qzmt62o1_500.png"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;“&lt;strong&gt;&lt;a title="Social Design site" target="_blank" href="http://www.socialdesignsite.com/"&gt;SocialDesignSite.com&lt;/a&gt; is a non-profit organisation that aims to foster  a discourse on social design through our international online platform  and the organization of and participation in projects, exhibitions,  conferences, lectures, etc.”&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;   &lt;/strong&gt;&lt;/p&gt;</description><link>http://capture-release.org/post/1156971134</link><guid>http://capture-release.org/post/1156971134</guid><pubDate>Mon, 20 Sep 2010 14:56:00 -0400</pubDate><category>Social Design</category><category>discussion</category><category>discourse</category><category>design discourse</category><category>design</category></item><item><title>The Geneographic Project-Human Migration,
Population Genetics,...</title><description>&lt;object width="400" height="327"&gt;&lt;param name="movie" value="http://www.youtube-nocookie.com/v/pyOS05GUze0&amp;hl=en_US&amp;fs=1&amp;border=1" /&gt;&lt;param name="allowFullScreen" value="true" /&gt;&lt;param name="allowscriptaccess" value="always" /&gt;&lt;embed src="http://www.youtube-nocookie.com/v/pyOS05GUze0&amp;hl=en_US&amp;fs=1&amp;border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="400" height="327"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br/&gt;&lt;br/&gt;&lt;h2&gt;The Geneographic Project-Human Migration,&lt;/h2&gt;
&lt;h2&gt;Population Genetics, Maps, DNA&lt;/h2&gt;
&lt;p&gt;&lt;a title="The Genographic Project" target="_blank" href="https://genographic.nationalgeographic.com/genographic/lan/en/index.htm"&gt;The Geneographic Project&lt;/a&gt; is a study of our human ancestry. As Geonographic Project Director states, “I want it to draw people together to make people realize that we are all part of an extended family and that our DNA connects all of us into a very tight-knit group”.&lt;/p&gt;</description><link>http://capture-release.org/post/1043296434</link><guid>http://capture-release.org/post/1043296434</guid><pubDate>Tue, 31 Aug 2010 13:51:06 -0400</pubDate><category>The Geneographic Project</category><category>human migration</category><category>population genetics</category><category>maps</category><category>DNA</category><category>human ancestry</category><category>National Geographic</category><category>body's blueprint</category><category>IBM</category><category>migration</category></item><item><title>The Power of Conversation
via The Interaction Institute for...</title><description>&lt;iframe width="400" height="240" src="http://www.youtube.com/embed/EOP0DT5MKI8?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;h1&gt;The Power of Conversation&lt;/h1&gt;
&lt;p&gt;via &lt;a title="The Interaction Institute for Social Change" target="_blank" href="http://interactioninstitute.org/blog/2010/08/10/the-power-of-conversation-2/"&gt;The Interaction Institute for Social Change&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Here &lt;a href="http://www.designinglife.com/Jack/Welcome.html" target="_blank"&gt;Jack Ricchiuto&lt;/a&gt;, talks about building community and collaboration through conversatoin, and he mentions the “shadow conversations” that keep us from success.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Ricchiuto names the following four conversations with power:&lt;span id="more-4060"&gt;&lt;/span&gt;&lt;/p&gt;
&lt;ul&gt;&lt;li&gt;&lt;em&gt;Dream Space Conversation&lt;/em&gt; – this is      the possibility  conversation, and many of us are familiar with vision      exercises.   He says it is a      conversation that takes us 20 years out, one  generation.  He reminds us that the depth of our      vision correlates  with the depth of our passion, and he invites us to      create spaces  that facilitate the alignment of our dreams&lt;/li&gt;
&lt;/ul&gt;&lt;ul&gt;&lt;li&gt;&lt;em&gt;Small Acts Conversation&lt;/em&gt; – I find this      one to be a  great corollary to the dream space conversation because it      gets us  talking about what we can do.       Given where we want to go, what is  it that we can do right now?  I also like it because it gets us out of       the trap of big plans, the fantasy games that we play when we try to       project every step into an uncertain future.  This conversation  gets us started, it      allows for the early prototype.&lt;/li&gt;
&lt;/ul&gt;&lt;ul&gt;&lt;li&gt;&lt;em&gt;Gifts Conversation&lt;/em&gt; – This one is      the asset based  conversation, the conversation that finds out what it is      that each  one of us brings to the table, what is it that we already have      in  our hands and how is it that we put it to work for our dreams?&lt;/li&gt;
&lt;/ul&gt;&lt;ul&gt;&lt;li&gt;&lt;em&gt;Invitation Conversation &lt;/em&gt;– This is      where we look  around, we appreciate who we are and what we have and we      decide who  else to invite, who are the people that might want to be a part      of  this dream?&lt;/li&gt;
&lt;/ul&gt;&lt;/blockquote&gt;</description><link>http://capture-release.org/post/982483148</link><guid>http://capture-release.org/post/982483148</guid><pubDate>Fri, 20 Aug 2010 10:00:00 -0400</pubDate><category>The Interaction Institute for Social Change</category><category>collaboration</category><category>building community</category><category>community</category><category>communication</category></item><item><title>Learning Landscape
by Jill Yoe Graves
Posted here are pictures...</title><description>&lt;img src="http://27.media.tumblr.com/tumblr_l7dn19LAbF1qzmt62o1_r1_500.png"/&gt;&lt;br/&gt; Via Project H Design's Photostream*&lt;br/&gt;&lt;br/&gt; &lt;img src="http://26.media.tumblr.com/tumblr_l7dn19LAbF1qzmt62o2_500.jpg"/&gt;&lt;br/&gt; Via Project H Design's Photostream*&lt;br/&gt;&lt;br/&gt; &lt;img src="http://26.media.tumblr.com/tumblr_l7dn19LAbF1qzmt62o3_500.jpg"/&gt;&lt;br/&gt; Via Project H Design's Photostream*&lt;br/&gt;&lt;br/&gt; &lt;img src="http://25.media.tumblr.com/tumblr_l7dn19LAbF1qzmt62o4_500.jpg"/&gt;&lt;br/&gt; Via Project H Design's Photostream*&lt;br/&gt;&lt;br/&gt; &lt;img src="http://29.media.tumblr.com/tumblr_l7dn19LAbF1qzmt62o5_500.jpg"/&gt;&lt;br/&gt; Via Project H Design's Photostream*&lt;br/&gt;&lt;br/&gt; &lt;img src="http://26.media.tumblr.com/tumblr_l7dn19LAbF1qzmt62o6_500.jpg"/&gt;&lt;br/&gt; Via Project H Design's Photostream*&lt;br/&gt;&lt;br/&gt; &lt;img src="http://26.media.tumblr.com/tumblr_l7dn19LAbF1qzmt62o7_500.jpg"/&gt;&lt;br/&gt; Via The Institute For Figuring &lt;br/&gt;&lt;br/&gt; &lt;img src="http://29.media.tumblr.com/tumblr_l7dn19LAbF1qzmt62o8_500.png"/&gt;&lt;br/&gt; Via Project H Design's Photostream*&lt;br/&gt;&lt;br/&gt; &lt;h1&gt;Learning Landscape&lt;/h1&gt;
&lt;p&gt;&lt;em&gt;by &lt;a title="contact Jill" target="_blank" href="mailto:jillyoe@gmail.com"&gt;Jill Yoe Graves&lt;/a&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Posted here are pictures of &lt;a title="Project H" target="_blank" href="http://www.projecthdesign.org"&gt;Project H&lt;/a&gt;’s pilot program for &lt;a title="Learning Landscape's Flickr Photostream" target="_blank" href="http://www.flickr.com/photos/projecthdesign/3247296402/in/photostream"&gt;Learning Landscape&lt;/a&gt; at &lt;a title="Kutamba School for AIDS Orphans in Uganda" target="_blank" href="http://www.nyakaschool.org/kutambaschool.php"&gt;Kutamba School&lt;/a&gt; for AIDS Orphans in Uganda. The Learning Landscape uses a grid-based design in an outdoor space to elementary math (“including addition, subtraction, multiplication, and division, as well as spatial and logical reasoning through individual and team-based competition”). However, in the four installed Learning Landscape projects that followed, teachers adapted the system for geography, language arts, and science material. In fact, the design itself encouraged teachers and students to work and develop their own games. When the game is not in use, benches can be placed over the tires (old, unused and found locally) to create an outdoor classroom.&lt;/p&gt;
&lt;p&gt;What I think is so special about this project is that it makes more aware of how we can learn from the spaces and objects around us.&lt;/p&gt;
&lt;p&gt;When &lt;a title="BLDG BLOG" target="_blank" href="http://bldgblog.blogspot.com"&gt;BLDG BLOG&lt;/a&gt; discussed Project H’s Learning Landscape they connected the project to an exhibit at the &lt;a title="The Institute for Figuring" target="_blank" href="http://www.theiff.org/"&gt;Institute for Figuring&lt;/a&gt; that I feel is worth mentioning here. Here is a section of their write-up:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p class="MsoNormal"&gt;&lt;span&gt;In an unbelievably interesting exhibition held two years ago in Pasadena, the &lt;a href="http://theiff.org/" target="_blank"&gt;Institute For Figuring&lt;/a&gt; explored the educational system of a now relatively under-known man named Friedrich Froebel and his influence on what we now call kindergarten. To quote from their &lt;a href="http://theiff.org/oexhibits/kindy01.html" target="_blank"&gt;online exhibition&lt;/a&gt; at length:&lt;/span&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;span&gt;Most of us today experienced kindergarten as a loose assortment of playful activities – a kind of preparatory ground for school proper. But in its original incarnation kindergarten was a formalized system that drew its inspiration from the science of crystallography. During its early years in the nineteenth century, kindergarten was based around a system of abstract exercises that aimed to instill in young children an understanding of the mathematically generated logic underlying the ebb and flow of creation. This revolutionary system was developed by the German scientist Friedrich Froebel whose vision of childhood education changed the course of our culture laying the grounds for modernist art, architecture and design. Le Corbusier, Frank Lloyd Wright and Buckminster Fuller are all documented attendees of kindergarten. Other “form-givers” of the modern era – including Piet Mondrian, Wassily Kandinsky and Georges Braque – were educated in an environment permeated with Frobelian influence.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;I don’t mean to imply here that Project H’s “math playground” in Uganda is an example of Froebelian education – because, as far as I’m aware, it is not – but I do mean to say that it would be amazingly cool if the spatial environments of modern life were organized more along educational lines.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;*Here is a link to &lt;a title="Project H Design's Photostream on Flickr" target="_blank" href="http://www.flickr.com/photos/projecthdesign"&gt;Project H Design’s Photostream&lt;/a&gt; on &lt;a title="Flickr" target="_blank" href="http://www.flickr.com/"&gt;Flickr&lt;/a&gt;&lt;/p&gt;</description><link>http://capture-release.org/post/977189438</link><guid>http://capture-release.org/post/977189438</guid><pubDate>Thu, 19 Aug 2010 09:38:00 -0400</pubDate><category>Uganda</category><category>Kutamba School for AIDS Orphans</category><category>Learning Landscape</category><category>experiential learning</category><category>education</category><category>environmental design</category><category>systems design</category><category>Friedrich Froebel</category><category>Institute For Figuring</category><category>Project H</category></item><item><title>PLMS6040 Compostable Polymer
via National Design TriennialWhy...</title><description>&lt;img src="http://28.media.tumblr.com/tumblr_l7d7g2ZNLH1qzmt62o1_500.png"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;h1&gt;PLMS6040 Compostable Polymer&lt;/h1&gt;
&lt;p&gt;via &lt;a title="National Design Triennial" target="_blank" href="http://exhibitions.cooperhewitt.org/Why-Design-Now/project/plms6040-compostable-polymer"&gt;National Design Triennial&lt;/a&gt;&lt;br/&gt;Why Design Now?&lt;br/&gt;&lt;br/&gt;“Kareline’s &lt;a href="http://www.kareline.fi/en/products/" target="_blank"&gt;&lt;span class="caps"&gt;PLMS&lt;/span&gt;&lt;/a&gt; is a natural, fiber-reinforced &lt;span class="caps"&gt;PLA&lt;/span&gt; (polylactic acid) that is biodegradable and has applications for  consumer electronics, packaging, toys, and other goods. The matrix  plastic is &lt;span class="caps"&gt;PLA&lt;/span&gt;, a compostable thermoplastic that is derived from renewable resources such as corn starch and sugar cane. &lt;span class="caps"&gt;PLA&lt;/span&gt; is a sustainable alternative to traditional plastics made from  polyethylene, for example, and can be injection-molded and used in the  same kind of products as its relative. The fibers that reinforce the &lt;span class="caps"&gt;PLA&lt;/span&gt; are wood-based pulp fibers from a certified forest-stewardship program  in Finland, and are manufactured in an environmentally friendly manner.  They also improve the technical performance in the injection-molding of  the &lt;span class="caps"&gt;PLA&lt;/span&gt;, including the temperature range under which the end products can be used.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Location:&lt;/strong&gt; &lt;a href="http://exhibitions.cooperhewitt.org/Why-Design-Now/tag/finland/" target="_blank"&gt;finland&lt;/a&gt;&lt;/p&gt;
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//--&gt;</description><link>http://capture-release.org/post/973483620</link><guid>http://capture-release.org/post/973483620</guid><pubDate>Wed, 18 Aug 2010 16:26:26 -0400</pubDate><category>Why Design Now?</category><category>Compostable Polymer</category><category>National Design Triennial</category><category>PLMS6040</category><category>Cooper-Hewitt</category><category>National Design Museum</category></item><item><title>Fascinating Opportunities in the Pacific Garbage Patch!</title><description>Wow. Check this out. We know that there’s a huge pile of garbage in the pacific. A famous...</description><link>http://capture-release.org/post/898956051</link><guid>http://capture-release.org/post/898956051</guid><pubDate>Tue, 03 Aug 2010 14:16:11 -0400</pubDate></item><item><title>How’s Your State on Public Education?
GOOD Blog &gt;...</title><description>&lt;img src="http://27.media.tumblr.com/tumblr_kwbq5q3NGh1qzmt62o1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;h2&gt;&lt;a title="How's Your State on Public Education" target="_blank" href="http://www.good.is/post/how-s-your-state-on-public-education/"&gt;How’s Your State on Public Education?&lt;/a&gt;&lt;/h2&gt;
&lt;p&gt;&lt;a&gt;GOOD Blog&lt;/a&gt; &gt; &lt;a title="Profile: Nikhil Swaminathan"&gt;Nikhil Swaminathan&lt;/a&gt; on January 14, 2010 at 4:30 pm PST&lt;/p&gt;
&lt;p&gt;&lt;em&gt;&lt;a href="http://www.edweek.org/" target="_blank"&gt;Education Week&lt;/a&gt;&lt;/em&gt; released, “&lt;a href="http://www.edweek.org/ew/articles/2010/01/14/17execsum.h29.html?intc=ml" target="_blank"&gt;Quality Counts 2010&lt;/a&gt;,” its annual report card on the state of p&lt;strong&gt;ublic education&lt;/strong&gt; in the U.S. today, &lt;a href="http://www.edweek.org/ew/qc/2010/17src.h29.html?intc=ml" target="_blank"&gt;praising some states and taking others to task&lt;/a&gt; on their stewardship of molding the next generation.&lt;br/&gt;&lt;br/&gt; What I find most interesting about the report is that states that score high marks on the metrics bundled under the heading “&lt;a href="http://www.edweek.org/media/ew/qc/2010/17sos.h29.teaching.pdf" target="_blank"&gt;The Teaching Profession&lt;/a&gt;” (pdf) aren’t the states that are topping the list titled “&lt;a href="http://www.edweek.org/media/ew/qc/2010/17sos.h29.chance.pdf" target="_blank"&gt;Chance for Success&lt;/a&gt;” (pdf).&lt;br/&gt;&lt;br/&gt; For the group of measures that include teacher quality and compensation, the top five states are: South Carolina (which earned the survey’s only A grade),  Arkansas, Louisiana, Florida, and Maryland. However, that translates into success grades of C, C-, C-, C, and B+. respectively. (The U.S. average for “Chance of Success” was a C+.)&lt;br/&gt;&lt;br/&gt; Maryland is the only one of those five states whose teachers are apparently responsible for its students’ success; the others just seem to have “qualified,” but ineffective instructors. (In case you were wondering, the five states that offer students the best chances for future success are: Massachusetts, New Jersey, New Hampshire, Connecticut, and Minnesota.)&lt;br/&gt;&lt;br/&gt; This disconnect adds further fuel to the fiery conundrum of what makes for a good teacher. It’s a question we’ve &lt;a href="http://www.good.is/post/Shouldn-t-Trained-Teachers-Be-Able-to-Improve-Student-Performance/" target="_blank"&gt;discussed on this blog&lt;/a&gt; and that is covered in the &lt;a href="http://www.theatlantic.com/doc/201001/good-teaching" target="_blank"&gt;latest issue of &lt;/a&gt;&lt;em&gt;&lt;a href="http://www.theatlantic.com/doc/201001/good-teaching" target="_blank"&gt;The Atlantic&lt;/a&gt;&lt;/em&gt;. Clearly, the debate rages on.&lt;/p&gt;</description><link>http://capture-release.org/post/715117819</link><guid>http://capture-release.org/post/715117819</guid><pubDate>Sat, 19 Jun 2010 10:53:00 -0400</pubDate><category>Education Week</category><category>education</category><category>Quality Counts 2010</category><category>public education</category></item><item><title>The Grand Challenges of Engineering Should Also Be the Grand Challenges of Design</title><description>
Post By Elmer Atienza
I recently discovered this website and webpage...</description><link>http://capture-release.org/post/592979993</link><guid>http://capture-release.org/post/592979993</guid><pubDate>Tue, 18 May 2010 10:00:00 -0400</pubDate><category>Challenges of Engineering</category><category>National Academy of Engineering</category><category>solar energy</category><category>fusion</category><category>clean water</category><category>carbon sequestration methods</category><category>urban infrastructure</category><category>virtual reality</category><category>nitrogen cycle</category><category>cyberspace</category><category>learning</category><category>Elmer Atienza</category><category>submission</category></item><item><title>A 23-year-old Kenyan’s solar-powered LED lantern helps...</title><description>&lt;object width="400" height="359" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" id="ep"&gt;&lt;param name="allowfullscreen" value="true" /&gt;&lt;param name="allowscriptaccess" value="always" /&gt;&lt;param name="wmode" value="transparent" /&gt;&lt;param name="movie" value="http://i.cdn.turner.com/cnn/.element/apps/cvp/3.0/swf/cnn_416x234_embed.swf?context=embed&amp;videoId=living/2010/02/11/cnnheroes.wadongo.profile.cnn" /&gt;&lt;param name="bgcolor" value="#000000" /&gt;&lt;embed src="http://i.cdn.turner.com/cnn/.element/apps/cvp/3.0/swf/cnn_416x234_embed.swf?context=embed&amp;videoId=living/2010/02/11/cnnheroes.wadongo.profile.cnn" type="application/x-shockwave-flash" bgcolor="#000000" allowfullscreen="true" allowscriptaccess="always" width="400" wmode="transparent" height="359"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;strong&gt;A 23-year-old Kenyan’s solar-powered LED lantern helps light rural homes&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Nairobi, Kenya (CNN)&lt;/strong&gt; — The villagers’ faces light up as Evans  Wadongo arrives. Men, women and children sing and gather around as he  shows how his invention — a solar-powered LED lantern — will soon  light up their homes.&lt;/p&gt;
&lt;p&gt;“These families, they are so poor. They  don’t have electricity,” said Wadongo, a native of rural Kenya. “It’s  only kerosene and firewood that they use for lighting, cooking.&lt;/p&gt;
&lt;p&gt;“The  amount of money that every household uses to buy kerosene every day —  if they can just save that money, they can be able to buy food.”&lt;/p&gt;
&lt;p&gt;Wadongo,  23, not only is giving his country’s rural families a way to replace  the smoky kerosene and firelight with solar power, he says he also hopes  his invention will ultimately improve education and reduce &lt;a href="http://topics.cnn.com/topics/Poverty" target="_blank"&gt;poverty&lt;/a&gt; and hunger. And he’s providing it for free.&lt;/p&gt;
&lt;p&gt;Thanks for sharing, Courtney!&lt;/p&gt;</description><link>http://capture-release.org/post/606975470</link><guid>http://capture-release.org/post/606975470</guid><pubDate>Mon, 17 May 2010 10:00:00 -0400</pubDate><category>Kenya</category><category>solar-power</category><category>LED</category><category>LED lantern</category><category>Nairobi</category><category>CNN</category><category>Evans Wadongo</category><category>electricity</category></item><item><title>Post by: Samantha Morgan Logan
Passion….it’s what it’s about-</title><description>Post by: Samantha Morgan Logan
Passion….it’s what it’s about-</description><link>http://capture-release.org/post/611367807</link><guid>http://capture-release.org/post/611367807</guid><pubDate>Sat, 15 May 2010 19:37:00 -0400</pubDate></item></channel></rss>

