<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description>Beyond-
 A Discussion

Questions, Comments, and/or Suggestions:
-Jill Yoe Graves

I started this blog as a place to watch and showcase the contributions of those looking for ways to continue and push what Design can be in today’s society. I see that Design has great potential to positively impact our world, and a large part of this move forward requires us to examine our ideas and roles from every angle. 

Throughout my observations, I plan to especially keep an eye out for students who are looking to participate in this conversation. I hope this can be a forum that is not only devoted to capturing and disseminating the work that is breaking traditional boundaries of disciplines, problem solving, and design thinking, but to also be a place where current works and ideas can be discussed, critiqued and developed. </description><title>Beyond Boundaries</title><generator>Tumblr (3.0; @jillyoe)</generator><link>http://capture-release.org/</link><item><title>How’s Your State on Public Education?
GOOD Blog &gt;...</title><description>&lt;img src="http://27.media.tumblr.com/tumblr_kwbq5q3NGh1qzmt62o1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;h2&gt;&lt;a title="How's Your State on Public Education" target="_blank" href="http://www.good.is/post/how-s-your-state-on-public-education/"&gt;How’s Your State on Public Education?&lt;/a&gt;&lt;/h2&gt;
&lt;p&gt;&lt;a&gt;GOOD Blog&lt;/a&gt; &gt; &lt;a title="Profile: Nikhil Swaminathan"&gt;Nikhil Swaminathan&lt;/a&gt; on January 14, 2010 at 4:30 pm PST&lt;/p&gt;
&lt;p&gt;&lt;em&gt;&lt;a href="http://www.edweek.org/" target="_blank"&gt;Education Week&lt;/a&gt;&lt;/em&gt; released, “&lt;a href="http://www.edweek.org/ew/articles/2010/01/14/17execsum.h29.html?intc=ml" target="_blank"&gt;Quality Counts 2010&lt;/a&gt;,” its annual report card on the state of p&lt;strong&gt;ublic education&lt;/strong&gt; in the U.S. today, &lt;a href="http://www.edweek.org/ew/qc/2010/17src.h29.html?intc=ml" target="_blank"&gt;praising some states and taking others to task&lt;/a&gt; on their stewardship of molding the next generation.&lt;br/&gt;&lt;br/&gt; What I find most interesting about the report is that states that score high marks on the metrics bundled under the heading “&lt;a href="http://www.edweek.org/media/ew/qc/2010/17sos.h29.teaching.pdf" target="_blank"&gt;The Teaching Profession&lt;/a&gt;” (pdf) aren’t the states that are topping the list titled “&lt;a href="http://www.edweek.org/media/ew/qc/2010/17sos.h29.chance.pdf" target="_blank"&gt;Chance for Success&lt;/a&gt;” (pdf).&lt;br/&gt;&lt;br/&gt; For the group of measures that include teacher quality and compensation, the top five states are: South Carolina (which earned the survey’s only A grade),  Arkansas, Louisiana, Florida, and Maryland. However, that translates into success grades of C, C-, C-, C, and B+. respectively. (The U.S. average for “Chance of Success” was a C+.)&lt;br/&gt;&lt;br/&gt; Maryland is the only one of those five states whose teachers are apparently responsible for its students’ success; the others just seem to have “qualified,” but ineffective instructors. (In case you were wondering, the five states that offer students the best chances for future success are: Massachusetts, New Jersey, New Hampshire, Connecticut, and Minnesota.)&lt;br/&gt;&lt;br/&gt; This disconnect adds further fuel to the fiery conundrum of what makes for a good teacher. It’s a question we’ve &lt;a href="http://www.good.is/post/Shouldn-t-Trained-Teachers-Be-Able-to-Improve-Student-Performance/" target="_blank"&gt;discussed on this blog&lt;/a&gt; and that is covered in the &lt;a href="http://www.theatlantic.com/doc/201001/good-teaching" target="_blank"&gt;latest issue of &lt;/a&gt;&lt;em&gt;&lt;a href="http://www.theatlantic.com/doc/201001/good-teaching" target="_blank"&gt;The Atlantic&lt;/a&gt;&lt;/em&gt;. Clearly, the debate rages on.&lt;/p&gt;</description><link>http://capture-release.org/post/715117819</link><guid>http://capture-release.org/post/715117819</guid><pubDate>Sat, 19 Jun 2010 10:53:00 -0400</pubDate><category>Education Week</category><category>education</category><category>Quality Counts 2010</category><category>public education</category></item><item><title>The Grand Challenges of Engineering Should Also Be the Grand Challenges of Design</title><description>&lt;p&gt;&lt;span&gt;
&lt;p&gt;Post By Elmer Atienza&lt;/p&gt;
&lt;p&gt;&lt;span&gt;I recently discovered this website and webpage (&lt;a title="Engineering's Grand Challenges" target="_blank" href="http://www.engineeringchallenges.org/cms/8996/9221.aspx"&gt;&lt;a href="http://www.engineeringchallenges.org/cms/8996/9221.aspx" target="_blank"&gt;http://www.engineeringchallenges.org/cms/8996/9221.aspx&lt;/a&gt;&lt;/a&gt;) that describes the “Grand Challenges of Engineering” as pronounced by the National Academy of Engineering (of the National Academies). The Grand Challenges of Engineering are, in the order of their poll results:&lt;/span&gt;&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;Make solar energy economical.&lt;/li&gt;
&lt;li&gt;Provide energy from fusion.&lt;/li&gt;
&lt;li&gt;Provide access to clean water.&lt;/li&gt;
&lt;li&gt;Reverse-engineer the brain.&lt;/li&gt;
&lt;li&gt;Advance personalized learning.&lt;/li&gt;
&lt;li&gt;Develop carbon sequestration methods.&lt;/li&gt;
&lt;li&gt;Engineer the tools of scientific discovery.&lt;/li&gt;
&lt;li&gt;Restore and improve urban infrastructure.&lt;/li&gt;
&lt;li&gt;Advance health informatics.&lt;/li&gt;
&lt;li&gt;Prevent nuclear terror.&lt;/li&gt;
&lt;li&gt;Engineer better medicines.&lt;/li&gt;
&lt;li&gt;Enhance virtual reality.&lt;/li&gt;
&lt;li&gt;Manage the nitrogen cycle.&lt;/li&gt;
&lt;li&gt;Secure cyberspace.&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;Should we, as designers, have a similar list of “grand challenges” of our own, as pronounced by one of our representative organizations such as the IDSA, DMI, AIA or AIGA? Or could we, as designers along with our representative organizations, partner with engineers and the National Academy of Engineering to surmount these challenges since they can all be viewed as design problems that will require design thinking as much as scientific thinking to formulate hypotheses, research, conceive, test and evaluate, and reiterate possible solutions? Most of these grand challenges will require the design and development of objects and interactions that will manipulated by people for their effects, and will thus require the unique skill-sets and mind-sets of architects, product designers, industrial designers, interaction designers and graphic designers.&lt;/p&gt;
&lt;p&gt;For designers, here lies a fantastic opportunity to lose or gain ownership of the kinds of problems for which viable solutions will not only help the lot of humanity but will establish respect for design’s role in the improvement of our lives.&lt;/p&gt;
&lt;/span&gt;&lt;/p&gt;</description><link>http://capture-release.org/post/592979993</link><guid>http://capture-release.org/post/592979993</guid><pubDate>Tue, 18 May 2010 10:00:00 -0400</pubDate><category>Challenges of Engineering</category><category>National Academy of Engineering</category><category>solar energy</category><category>fusion</category><category>clean water</category><category>carbon sequestration methods</category><category>urban infrastructure</category><category>virtual reality</category><category>nitrogen cycle</category><category>cyberspace</category><category>learning</category><category>Elmer Atienza</category><category>submission</category></item><item><title>A 23-year-old Kenyan’s solar-powered LED lantern helps...</title><description>&lt;object width="400" height="359" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" id="ep"&gt;&lt;param name="allowfullscreen" value="true" /&gt;&lt;param name="allowscriptaccess" value="always" /&gt;&lt;param name="wmode" value="transparent" /&gt;&lt;param name="movie" value="http://i.cdn.turner.com/cnn/.element/apps/cvp/3.0/swf/cnn_416x234_embed.swf?context=embed&amp;videoId=living/2010/02/11/cnnheroes.wadongo.profile.cnn" /&gt;&lt;param name="bgcolor" value="#000000" /&gt;&lt;embed src="http://i.cdn.turner.com/cnn/.element/apps/cvp/3.0/swf/cnn_416x234_embed.swf?context=embed&amp;videoId=living/2010/02/11/cnnheroes.wadongo.profile.cnn" type="application/x-shockwave-flash" bgcolor="#000000" allowfullscreen="true" allowscriptaccess="always" width="400" wmode="transparent" height="359"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;strong&gt;A 23-year-old Kenyan’s solar-powered LED lantern helps light rural homes&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Nairobi, Kenya (CNN)&lt;/strong&gt; — The villagers’ faces light up as Evans  Wadongo arrives. Men, women and children sing and gather around as he  shows how his invention — a solar-powered LED lantern — will soon  light up their homes.&lt;/p&gt;
&lt;p&gt;“These families, they are so poor. They  don’t have electricity,” said Wadongo, a native of rural Kenya. “It’s  only kerosene and firewood that they use for lighting, cooking.&lt;/p&gt;
&lt;p&gt;“The  amount of money that every household uses to buy kerosene every day —  if they can just save that money, they can be able to buy food.”&lt;/p&gt;
&lt;p&gt;Wadongo,  23, not only is giving his country’s rural families a way to replace  the smoky kerosene and firelight with solar power, he says he also hopes  his invention will ultimately improve education and reduce &lt;a href="http://topics.cnn.com/topics/Poverty" target="_blank"&gt;poverty&lt;/a&gt; and hunger. And he’s providing it for free.&lt;/p&gt;
&lt;p&gt;Thanks for sharing, Courtney!&lt;/p&gt;</description><link>http://capture-release.org/post/606975470</link><guid>http://capture-release.org/post/606975470</guid><pubDate>Mon, 17 May 2010 10:00:00 -0400</pubDate><category>Kenya</category><category>solar-power</category><category>LED</category><category>LED lantern</category><category>Nairobi</category><category>CNN</category><category>Evans Wadongo</category><category>electricity</category></item><item><title>Post by: Samantha Morgan Logan
Passion….it’s what it’s about-</title><description>&lt;p&gt;Post by: Samantha Morgan Logan&lt;a href="http://www.facebook.com/profile.php?id=1403006092&amp;ref=sgm" target="_blank"&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Passion….it’s what it’s about-&lt;/p&gt;</description><link>http://capture-release.org/post/611367807</link><guid>http://capture-release.org/post/611367807</guid><pubDate>Sat, 15 May 2010 19:37:00 -0400</pubDate></item><item><title>MONDO Information Source</title><description>&lt;p&gt;Had to comment about this &lt;a title="Simple Sustainability" target="_blank" href="http://ravingsoftom.blogspot.com/2010/04/simple-sustainability.html"&gt;site called inhabitat&lt;/a&gt; that I found today. Saw 3 really interesting articles amid some more mundane stuff ALL posted today. Think you would love it.&lt;/p&gt;</description><link>http://capture-release.org/post/592980233</link><guid>http://capture-release.org/post/592980233</guid><pubDate>Sat, 15 May 2010 10:00:00 -0400</pubDate></item><item><title>The WHY versus the WHAT
Simon Sinek: How great leaders inspire...</title><description>&lt;object width="400" height="292"&gt;&lt;param name="movie" value="http://video.ted.com/assets/player/swf/EmbedPlayer.swf" /&gt;&lt;param name="allowFullScreen" value="true" /&gt;&lt;param name="allowScriptAccess" value="always" /&gt;&lt;param name="wmode" value="transparent" /&gt;&lt;param name="bgColor" value="#ffffff" /&gt;&lt;param name="flashvars" value="vu=http://video.ted.com/talks/dynamic/SimonSinek_2009X-medium.flv&amp;su=http://images.ted.com/images/ted/tedindex/embed-posters/SimonSinek-2009X.embed_thumbnail.jpg&amp;vw=432&amp;vh=240&amp;ap=0&amp;ti=848&amp;introDuration=16500&amp;adDuration=4000&amp;postAdDuration=2000&amp;adKeys=talk=simon_sinek_how_great_leaders_inspire_action;year=2009;theme=unconventional_explanations;theme=new_on_ted_com;theme=not_business_as_usual;event=TEDxPuget+Sound+;&amp;preAdTag=tconf.ted/embed;tile=1;sz=512x288;" /&gt;&lt;embed src="http://video.ted.com/assets/player/swf/EmbedPlayer.swf" pluginspace="http://www.macromedia.com/go/getflashplayer" type="application/x-shockwave-flash" wmode="transparent" bgcolor="#ffffff" width="400" height="292" allowfullscreen="true" allowscriptaccess="always" flashvars="vu=http://video.ted.com/talks/dynamic/SimonSinek_2009X-medium.flv&amp;su=http://images.ted.com/images/ted/tedindex/embed-posters/SimonSinek-2009X.embed_thumbnail.jpg&amp;vw=432&amp;vh=240&amp;ap=0&amp;ti=848&amp;introDuration=16500&amp;adDuration=4000&amp;postAdDuration=2000&amp;adKeys=talk=simon_sinek_how_great_leaders_inspire_action;year=2009;theme=unconventional_explanations;theme=new_on_ted_com;theme=not_business_as_usual;event=TEDxPuget+Sound+;"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br/&gt;&lt;br/&gt;&lt;h1 class="ha"&gt;&lt;strong&gt;&lt;span id=":9q" class="hP"&gt;The WHY versus the WHAT&lt;/span&gt;&lt;/strong&gt;&lt;/h1&gt;
&lt;h2&gt;&lt;span id="altHeadline"&gt;Simon Sinek: How great leaders inspire action&lt;/span&gt;&lt;/h2&gt;
&lt;p&gt;Simon Sinek has a simple but powerful model for inspirational leadership  all starting with a golden circle and the question “Why?”  His examples  include Apple, Martin Luther King, and the Wright brothers — and as a  counterpoint Tivo, which (until a recent court victory that tripled its  stock price) appeared to be struggling.&lt;/p&gt;
&lt;p&gt;Thanks, Kate Taylor, for sharing!&lt;/p&gt;</description><link>http://capture-release.org/post/592951921</link><guid>http://capture-release.org/post/592951921</guid><pubDate>Wed, 12 May 2010 14:07:37 -0400</pubDate><category>leadership</category><category>TED</category><category>Apple</category><category>Martin Luther King</category><category>Wright brothers</category><category>inspiration</category><category>inspire action</category><category>Simon Sinek</category></item><item><title>Printervention: Printing for the Public
EXHIBITION AND PUBLIC ...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_l15t62YD0Q1qzmt62o1_500.png"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;h1&gt;Printervention: Printing for the Public&lt;/h1&gt;
&lt;p&gt;&lt;em&gt;EXHIBITION AND PUBLIC  ART PROJECT RAISING AWARENESS OF SOCIAL ISSUES OF  OUR DAY&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt; CHICAGO TOURISM CENTER GALLERY, &lt;br/&gt; 72 E. RANDOLPH ST.&lt;br/&gt; APRIL  16 – MAY 4&lt;br/&gt; Features Workshops and Mobile Silkscreen Printing Cart  for Distributing Art on Streets and in Parks&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;strong&gt;WHO: &lt;/strong&gt;Chicago Department  of Cultural Affairs, Office of Tourism&lt;br/&gt;&lt;strong&gt;WHAT:&lt;/strong&gt; Printervention: Printing  for the Public, an exhibition and public art project inspired by  cultural programs created through FDR’s New Deal and The Works Progress  Administration. Printervention underscores the necessity for public  support of artists and raises awareness of the social and political  issues of our day. In addition to an exhibition of over 70 posters and  prints, Printervention, will feature a mobile silkscreen printing cart  for distributing works in the parks and streets of Chicago.&lt;br/&gt; Printervention  is a part of Version Festival 2010, an annual arts festival in Chicago  that brings together hundreds of artist, musicians and educators from  around the world. In addition to the exhibition, Printerventionists will  present workshops, demonstrations and collaborations at the Gallery.&lt;/p&gt;
&lt;p&gt;&lt;br/&gt; Printervention  is organized by Emily Clayton, Chris Roberson and Ed Marszewski of the  Public Media Institute. For more information. visit  &lt;a href="http://www.explorechicago.org" target="_blank"&gt;www.explorechicago.org&lt;/a&gt; or call 312.744.6630.&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;strong&gt;WHERE: &lt;/strong&gt;Chicago Tourism  Center Gallery, 72 E. Randolph Street&lt;br/&gt;&lt;strong&gt;WHEN:&lt;/strong&gt; April 16 – May 4&lt;br/&gt; Friday,  April 16, opening reception, 5-7 pm&lt;br/&gt; April 26 – 30, 1 pm – 4 pm,  artist workshops and demonstrations&lt;br/&gt; HOURS: Chicago Tourism Center  Gallery hours are Monday to Thursday, 8 am – 7 pm;&lt;br/&gt; Friday, 8 am to 6  pm; Saturday, 9 am -6 pm; and Sunday, 10 am – 6 pm.&lt;/p&gt;
&lt;p&gt;via &lt;a title="Delicious Design League" target="_blank" href="http://www.deliciousdesignleague.com/blog/"&gt;Delicious Design League&lt;/a&gt;&lt;/p&gt;</description><link>http://capture-release.org/post/535052676</link><guid>http://capture-release.org/post/535052676</guid><pubDate>Tue, 20 Apr 2010 01:13:00 -0400</pubDate><category>social design</category><category>social change</category><category>silkscreen</category><category>printing</category><category>printmaking</category><category>Chicago</category><category>printerventionx printmakingx social issuesx silkscreenx Chicagox Delicious Design League</category><category>Delicious Design League</category><category>public art</category><category>FDR</category><category>New Deal</category><category>The Works Progress Adminstration</category><category>Printervention</category><category>Chicago Tourism Center Gallery</category></item><item><title>The Kindness of Strangers: Change Observer: Design...</title><description>&lt;img src="http://28.media.tumblr.com/tumblr_kyuk08fJ9y1qzmt62o1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a href="http://changeobserver.designobserver.com/entry.html?entry=11177" target="_blank"&gt;The Kindness of Strangers: Change Observer: Design Observer&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Debate about designers’ agendas when designing for social causes…&lt;/p&gt;</description><link>http://capture-release.org/post/429737467</link><guid>http://capture-release.org/post/429737467</guid><pubDate>Sat, 06 Mar 2010 01:14:32 -0500</pubDate></item><item><title>designisforsharing:

Experiencing Abstract Information |...</title><description>&lt;object type="application/x-shockwave-flash" width="400" height="225" data="http://vimeo.com/moogaloop.swf?clip_id=9468855&amp;server=vimeo.com&amp;fullscreen=1&amp;show_title=1&amp;show_byline=0&amp;show_portrait=0&amp;color=00ADEF"&gt;&lt;param name="quality" value="best" /&gt;&lt;param name="allowscriptaccess" value="always" /&gt;&lt;param name="allowfullscreen" value="true" /&gt;&lt;param name="scale" value="showAll" /&gt;&lt;param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=9468855&amp;server=vimeo.com&amp;fullscreen=1&amp;show_title=1&amp;show_byline=0&amp;show_portrait=0&amp;color=00ADEF" /&gt;&lt;embed src="http://www.vimeo.com/moogaloop.swf?clip_id=9468855&amp;server=www.vimeo.com&amp;show_title=1&amp;show_byline=0&amp;show_portrait=0&amp;color=00ADEF&amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="225"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a href="http://designisforsharing.tumblr.com/post/428951928/experiencing-abstract-information-fubiz-tm" target="_blank"&gt;designisforsharing&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href="http://www.fubiz.net/2010/03/03/experiencing-abstract-information/#votes" target="_blank"&gt;Experiencing Abstract Information | Fubiz™&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Using technology to show results of abstract data like: How long do you have to work in different cities, to afford a Big Mac or a kilogramm of bread? or Projected pollution in real water&lt;/p&gt;
&lt;br/&gt;&lt;p&gt;Bachelor Thesis, 2010 project&lt;/p&gt;
students Jochen Winker and Stefan Kuzaj from University of Applied Sciences Schwabishch Gmund&lt;/blockquote&gt;</description><link>http://capture-release.org/post/428969693</link><guid>http://capture-release.org/post/428969693</guid><pubDate>Fri, 05 Mar 2010 17:39:33 -0500</pubDate><category>interaction design</category><category>experience design</category><category>experience</category><category>technology</category><category>innovation</category><category>abstract information</category><category>information graphics</category><category>datasets</category><category>understanding data</category><category>University of Applied Sciences Schwabisch Gmund</category><category>Jochen Winker</category><category>Stefan Kuzaj</category><category>thesis</category></item><item><title>Core 77’s Allan Chochinov showcases some really...</title><description>&lt;object type="application/x-shockwave-flash" width="400" height="300" data="http://vimeo.com/moogaloop.swf?clip_id=9664960&amp;server=vimeo.com&amp;fullscreen=1&amp;show_title=1&amp;show_byline=0&amp;show_portrait=0&amp;color=00ADEF"&gt;&lt;param name="quality" value="best" /&gt;&lt;param name="allowscriptaccess" value="always" /&gt;&lt;param name="allowfullscreen" value="true" /&gt;&lt;param name="scale" value="showAll" /&gt;&lt;param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=9664960&amp;server=vimeo.com&amp;fullscreen=1&amp;show_title=1&amp;show_byline=0&amp;show_portrait=0&amp;color=00ADEF" /&gt;&lt;embed src="http://www.vimeo.com/moogaloop.swf?clip_id=9664960&amp;server=www.vimeo.com&amp;show_title=1&amp;show_byline=0&amp;show_portrait=0&amp;color=00ADEF&amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="300"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Core 77’s Allan Chochinov showcases some really interesting socially driven graphic design work here from his SVA grads at a lecture at IDxA conference Interaction 10 in Savannah, GA…&lt;/p&gt;</description><link>http://capture-release.org/post/424569084</link><guid>http://capture-release.org/post/424569084</guid><pubDate>Wed, 03 Mar 2010 14:17:00 -0500</pubDate><category>Allan Chochinov</category><category>Core 77</category><category>IDxA</category><category>Interaction Design</category><category>Interaction10</category><category>SVA</category><category>School of Visual Arts</category><category>graphic design</category><category>interaction design</category><category>social awareness</category><category>social design</category><category>artifacts &amp;amp; interventions</category></item><item><title> MIT Student Designs All-Terrain Wheelchair for the Poor
Matt...</title><description>&lt;img src="http://26.media.tumblr.com/tumblr_kymmccoRUf1qzmt62o1_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://27.media.tumblr.com/tumblr_kymmccoRUf1qzmt62o2_400.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;p&gt;&lt;!--END:  new Header --&gt;&lt;b&gt; MIT Student Designs All-Terrain Wheelchair for the Poor&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;Matt McCambridge, a designer for &lt;a&gt;Whirlwind Wheelchair International&lt;/a&gt;, designed the all-terrain wheelchair you see above to address the needs stated below by the MIT News Office:&lt;/p&gt;
&lt;p&gt;by Morgan Bettex, MIT News Office&lt;/p&gt;
&lt;p&gt;“The U.N. Development Programme estimates that less than 1 percent of the need for wheelchairs in developing countries is met by local production, partly because small workshops can’t exploit economies of scale to be profitable. Moreover, the wheelchairs that are available aren’t designed for people who must push themselves over rough roads and muddy walking paths often encountered in the Third World. As a result, millions of people must rely on others to carry them or be stranded inside their homes.”&lt;/p&gt;
&lt;p&gt;&lt;a href="http://web.mit.edu/newsoffice/2010/amos-wheelchair-0218.html" target="_blank"&gt;http://web.mit.edu/newsoffice/2010/amos-wheelchair-0218.html&lt;/a&gt;&lt;/p&gt;</description><link>http://capture-release.org/post/420698840</link><guid>http://capture-release.org/post/420698840</guid><pubDate>Mon, 01 Mar 2010 18:24:12 -0500</pubDate><category>wheelchair</category><category>design for the other 90%</category><category>MIT</category><category>social awareness</category><category>design thinking</category><category>social design</category><category>whirlwind wheelchair international</category><category>Matt McCambridge</category></item><item><title>Tips for Learning and Listening</title><description>&lt;p&gt;While doing research on Dr. Richard Farson, I stumbled across this write up in, of all places, a site for ski lessons. WAIT! WAIT! WAIT! I was skeptical too, but there are actually some really good tips here that we could all learn from…I mean, he does quote &lt;a title="Dr. Richard Farson" target="_blank" href="http://www.promenadespeakers.com/page185.html"&gt;Farson&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Ten Instructional Paradoxes:&lt;/b&gt; Learning does not entirely come from the teacher, but from within. The student, too, has an opportunity to enhance the learning process and its results—even a responsibility. Ponder the points below, and the suggested responses in italics (responses added to Dr. Farson’s points):&lt;br/&gt;&lt;i&gt;by Dr. Richard Farson &lt;/i&gt;&lt;br/&gt;&lt;br/&gt;&lt;b&gt;1. People learn most when they are talking, not when they are listening. &lt;/b&gt;So, talk in your lesson; ask questions, relate successes and failures.&lt;br/&gt;&lt;b&gt;2. More of certain types of learning can take place when one tries not to teach. &lt;/b&gt;Your instructor may suggest a “free” run, for this reason; be receptive. Odds are you’ll be attempting what you have just been working on and will be more playful than when “under the lens” of your teacher and/or peers—and will probably be more successful.&lt;br/&gt;&lt;b&gt;3. Some things are learn-able, but not teachable. &lt;/b&gt;Such as the sensation of control while sliding, although this can be set up by an instructor with your participation.&lt;br/&gt;&lt;b&gt;4. Everything we try works.&lt;/b&gt; But some things work better; seek those even though they may be harder at first.&lt;br/&gt;&lt;b&gt;5. What is true for children is probably true for adults too.&lt;/b&gt; Often true; you can even think and do like a child for results.&lt;br/&gt;&lt;b&gt;6. We think we learn from our failures and other people’s successes, but it is the other way around.&lt;/b&gt; It is hard for us to accept our failures due to the ego factor but we can see what causes others to fail; we love our successes and like to be told of them and will therefore add them to our systems.&lt;br/&gt;&lt;b&gt;7. We grow from calamities, not from virtues. &lt;/b&gt;Overcoming difficulties is part of life and we are better for it; same in skiing, but as in life we must persevere and will grow if we do.&lt;br/&gt;&lt;b&gt;8. Don’t try to improve people, improve the situation. &lt;/b&gt;In better situations—easier slopes, clearer explanations, greater attention— people then can improve. Can you, too, find ways to improve your learning situation—avoid the cell phone, point out your need for rest room or warming-hut stops, get adequate rest the night before, refuel the body, manage your fears?&lt;br/&gt;&lt;b&gt;9. Students can learn more from each other than from the teacher.&lt;/b&gt; We respond best to our peers, not our superiors; join in to sessions where you are paired with another lesson-taker. Observe their progress and failures and consider their questions and comments.&lt;br/&gt;&lt;b&gt;10. We learn to ski in the summer and swim in the winter. &lt;/b&gt;Somehow we retain over the summer what our bodies learned to do in our skiing from the prior winter and are often better at the sport the next winter; so be patient with your progress, for your breakthrough may not come until the following season! &lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;b&gt;The ten worst listening habits in America&lt;/b&gt;—and how to correct them for a more effective ski lesson.&lt;br/&gt;&lt;br/&gt;Communication is a two-way street. Listeners can get more out of the time invested listening by correcting any of the 10 worst listening habits in America they may be afflicted by. On the other hand, speakers should assume their audience is afflicted by all of the habits and make their presentations that much more effective and forceful.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;1. Calling the subject uninteresting. &lt;/b&gt;Listen attentively for information. Be selfish in listening for things you can use.&lt;b&gt;&lt;br/&gt;2. Criticizing the speaker’s delivery. &lt;/b&gt;Accept speech, grammar, and delivery defects by listening around them.&lt;b&gt;&lt;br/&gt;3. Becoming over-stimulated on an objectionable point. &lt;/b&gt;Hear the speaker out instead. Don’t let a point of disagreement block your thought process.&lt;b&gt;&lt;br/&gt;4. Listening only for facts. &lt;/b&gt;Absorb the underlying principles as well.&lt;b&gt;&lt;br/&gt;5. Trying to rigidly outline every speech. &lt;/b&gt;Instead, listen for awhile. Then take summary notes. And, you can’t outline the un-outlinable.&lt;b&gt;&lt;br/&gt;6. Faking attention. &lt;/b&gt;Listening is an active process, not passive. Gazing steadily at the speaker, possibly with head cupped in palm, apparently in rapt attentiveness, often is indicative of a mind “out to lunch”.&lt;b&gt;&lt;br/&gt;7. Tolerating or creating a disturbance&lt;/b&gt;. Avoid extraneous stimuli. Quell it if possible. For instance, a lift ride could be used by the instructor to give needed verbal explanations saving on-slope time or by students needing to communicate with friends or family.&lt;b&gt;&lt;br/&gt;8. Listening to the fun material only.&lt;/b&gt; Listen to the thought-provoking material also.&lt;b&gt;&lt;br/&gt;9. Allowing loaded words to form barriers to listening. &lt;/b&gt;This is much like number 3 above, but is concerned with a single word that has an undesirable connotation to the listener. Granted the speaker should not have used it had the effect been known, but why should the listener miss subsequent points because of the speaker’s error, perhaps unwitting?&lt;b&gt;&lt;br/&gt;10. Wasting the differential between talking speed and listening speed.&lt;/b&gt; We talk at 100-125 words per minute. We listen at 400-500 words per minute, and we think at about 750 words per minute. Unless the spare time is used profitably, we soon tune ourselves out and start thinking about an entirely different topic. To avoid this, run mentally ahead of the speaker and anticipate coming points. Identify evidence the speaker uses. Engage in mental recapitulations of what has been said.&lt;br/&gt;&lt;br/&gt;—after Wymond Eckhardt, National Park Service Training Center&lt;/p&gt;
&lt;p&gt;Found here:&lt;br/&gt;&lt;a href="http://www.skimybest.com/skiless.htm" target="_blank"&gt;http://www.skimybest.com/skiless.htm&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;This “Why Take a Ski Lesson from a Professional” page last  modified 02/14/2010: \SkiMyBest\skiless.htm. &lt;i&gt;Copyright  ©  2010  William R Jones.&lt;br/&gt;&lt;/i&gt;&lt;!--msnavigation--&gt;&lt;/p&gt;</description><link>http://capture-release.org/post/408075857</link><guid>http://capture-release.org/post/408075857</guid><pubDate>Tue, 23 Feb 2010 21:09:00 -0500</pubDate><category>Richard Farson</category><category>learning</category><category>listenting</category><category>tips for learning listening</category><category>education</category><category>knowledge</category><category>learning process</category><category>teaching</category><category>10 worst listening habits in America</category></item><item><title>Fish can improve our ability to extract power from wind</title><description>&lt;p&gt;Posted by Thomas Gal:&lt;/p&gt;
&lt;p&gt;I read an awesome post, which plugs indirectly, for biomimicry yet again! I read that the emulating the pattern in which swim could &lt;a title="Why fish hold the key to increasing wind farm power" target="_blank" href="http://www.technologyreview.com/blog/arxiv/24813/"&gt;squeeze more power&lt;/a&gt; out of wind farms using vertical rotors. There are limitations to the caltech study (it is 2D) but it shows potential.&lt;/p&gt;
&lt;p&gt;Fish can help consume waste, grow vegetables, AND produce more power with wind. Next thing I’m gonna hear fish oil is good for you…..err…wait…..&lt;/p&gt;
&lt;p&gt;Also backs up my comment on Technology -vs- Design. They go hand in hand in any complete notion.&lt;/p&gt;
&lt;p&gt;-Tom&lt;/p&gt;
&lt;p&gt;&lt;a href="http://ravingsoftom.blogspot.com/" target="_blank"&gt;&lt;a href="http://ravingsoftom.blogspot.com/" target="_blank"&gt;http://ravingsoftom.blogspot.com/&lt;/a&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="http://borevitzlab.uchicago.edu/Members/Gal" target="_blank"&gt;&lt;a href="http://borevitzlab.uchicago.edu/Members/Gal" target="_blank"&gt;http://borevitzlab.uchicago.edu/Members/Gal&lt;/a&gt;&lt;/a&gt;&lt;/p&gt;</description><link>http://capture-release.org/post/408102692</link><guid>http://capture-release.org/post/408102692</guid><pubDate>Tue, 23 Feb 2010 21:06:00 -0500</pubDate><category>alternative energy</category><category>biomimicry</category><category>wind farms</category><category>vertical rotors</category><category>fish</category><category>technology</category><category>submission</category></item><item><title>I read an article today in Core77 about “Emerging Markets...</title><description>&lt;img src="http://26.media.tumblr.com/tumblr_ky06cjHtTd1qzmt62o1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;I read an article today in Core77 about &lt;/b&gt;&lt;b&gt;&lt;a title="Emerging Markets as a Source of Disruptive Innovation" target="_blank" href="http://www.core77.com/blog/business/emerging_markets_as_a_source_of_disruptive_innovation_5_case_studies_15843.asp#more"&gt;“Emerging Markets as a Source of Disruptive Innovation”&lt;/a&gt; posted by &lt;/b&gt; &lt;a href="http://www.core77.com/about/cloggers.asp#Niti%20Bhan" target="_blank"&gt;Niti Bhan&lt;/a&gt;&lt;b&gt; and I wanted to share some of my thoughts…&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;Why do you think?&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Reaction by &lt;a title="email jill yoe graves" target="_blank" href="mailto:jillyoe@gmail.com"&gt;Jill Yoe Graves&lt;/a&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;Disruptive Technologies*&lt;/p&gt;
&lt;p class="MsoNormal"&gt;In the blog post Niti Bhan stated, “Where design of consumer products tended to begin with the assumptions of individual ownership or entertainment or passive consumption of throwaway convenience, its time to look at increasing productivity and opportunities for &lt;b&gt;income generation&lt;/b&gt; while minimizing the impact on the environment and need for resources.”&lt;/p&gt;
&lt;p class="MsoNormal"&gt;Though I agree with Bhan’s point about creating products that “minimize the impact on the environment and need for resources”, I question the stated agenda behind creating new products. Why is the primary need that is being called for here related to increasing products and opportunities for &lt;b&gt;income generation&lt;/b&gt;? If we are &lt;i&gt;really&lt;/i&gt; looking at the needs of the lower income demographic or those in the “bottom of the pyramid”, I’m not sure that income generation should be the primary concern.&lt;/p&gt;
&lt;p class="MsoNormal"&gt;I have a more idealized view of where I would like to see design impact society. A view where designers see needs, extensions of the design’s life, how these designs could improve the journey and more positively interact with our lives, rather than an artifact’s brief impact on the market. It seems to me that this incessant creation of things cannot last, and that it would be more valuable to start shifting our thinking of what consumer products are and should be in today’s society. Truly considering the value, before it’s created—considering questions like, how could this design impact our world/community/society/culture in, say, 50 years?&lt;/p&gt;
&lt;p class="MsoNormal"&gt;If we are, here, examining the place for disruptive innovations (or design considerations that should be related to those disruptive innovations), maybe what we should be looking at is how to integrate a design approach that considers our &lt;i&gt;true&lt;/i&gt; needs and the needs of others—maybe through disruptive innovation, maybe not—into the marketplace.&lt;/p&gt;
&lt;p&gt;* Defined here by Niti Bhan on Core 77:&lt;/p&gt;
&lt;p&gt;One of the most misunderstood terms in the business world is &lt;i&gt;disruptive technology&lt;/i&gt;. Too many companies—and the marketers in charge of bringing these companies’ innovations to market—assume that “disruptive” connotes a highly-sophisticated, high-end product with cutting-edge technology that will appeal to early adopters. Actually, Harvard’s Clayton Christensen argued the opposite in his groundbreaking book on business innovation, &lt;i&gt;&lt;a href="http://www.amazon.com/Innovators-Dilemma-Revolutionary-Business-Essentials/dp/0060521996/?tag=core77-20" target="_blank"&gt;The Innovator’s Dilemma&lt;/a&gt;&lt;/i&gt;. As Christensen pointed out again and again, “disruptive technologies were exactly those that did not appeal to entrenched market leaders because they tended to under-perform existing technologies and served a less-profitable consumer demographic.” (Source: &lt;a href="http://endlessinnovation.typepad.com/endless_innovation/2010/01/disruptive-innovations-always-look-like-toys.html" target="_blank"&gt;Dominic Basulto&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;Taking Christensen’s insight on disruptive innovation (summarized so well by Basulto) as the starting point, we could just as easily extend that thought to say that those innovations that are simpler, cheaper and offer value to the less profitable—those successful at the Bottom of the Pyramid (BoP), in other words—are the ones which contain seeds of disruption in markets outside of their intended audience.&lt;/p&gt;

&lt;!--EndFragment--&gt;
&lt;p&gt;&lt;b&gt;&lt;br/&gt;&lt;/b&gt;&lt;/p&gt;</description><link>http://capture-release.org/post/395335208</link><guid>http://capture-release.org/post/395335208</guid><pubDate>Wed, 17 Feb 2010 17:10:00 -0500</pubDate><category>Disruptive Innovation</category><category>Disruptive Technologies</category><category>consumer products</category><category>bottom of the pryramid</category><category>design</category><category>design thinking</category><category>Core 77</category><category>Core77</category><category>Niti Bhan</category><category>The Innovator's Dilemma</category><category>Clayton Christensen</category><category>Harvard</category><category>business innovation</category><category>Dominic Basulto</category><category>technology</category><category>innovation</category></item><item><title>Technology Vs. Design--What is the Source of Innovation?</title><description>&lt;a href="http://www.businessweek.com/innovate/NussbaumOnDesign/archives/2009/12/technology_vs_c.html"&gt;Technology Vs. Design--What is the Source of Innovation?&lt;/a&gt;: &lt;p&gt;As students, in many ways the newest to the field of design, I am curious to hear your take on the subject.&lt;/p&gt;</description><link>http://capture-release.org/post/393788023</link><guid>http://capture-release.org/post/393788023</guid><pubDate>Tue, 16 Feb 2010 20:53:00 -0500</pubDate><category>Technology</category><category>Design</category><category>Source of Innovation</category><category>Innovation</category><category>Bruce Nussbaum</category><category>Donald</category><category>donald norman</category><category>socialization of invention</category></item><item><title>“Curiosities, Rick Valicenti 

+ the 21st Century...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_kxqkkaPTlh1qzmt62o1_r2_500.png"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;h1&gt;&lt;a&gt;&lt;i&gt;“Curiosities, Rick Valicenti &lt;/i&gt;&lt;/a&gt;&lt;/h1&gt;
&lt;h1&gt;&lt;/h1&gt;
&lt;h1&gt;&lt;a&gt;&lt;i&gt;+ the 21st Century Thirst&lt;/i&gt;&lt;/a&gt;&lt;/h1&gt;
&lt;p&gt;is work from the past decade curated to underscore the &lt;b&gt;collaborative balance and value between the professional commission and the personal research&lt;/b&gt;.&lt;/p&gt;
&lt;p&gt;An opening reception for the exhibition, beginning with a lecture by Valicenti, will be presented on Friday, February 12 from 7 to 9 pm. In association with our exhibition, the department of theatre and dance’s FAU Dance Ensemble will premiere a work on February 5–7 that Rick Valicenti is &lt;b&gt;collaborating on with graduate students in dance and visual arts.&lt;/b&gt;”&lt;/p&gt;
&lt;p&gt;Thanks for the heads up from the &lt;a title="Daily Heller" target="_blank" href="http://www.printmag.com/dailyheller/"&gt;Daily Heller&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt; &lt;/i&gt;&lt;/p&gt;</description><link>http://capture-release.org/post/385632350</link><guid>http://capture-release.org/post/385632350</guid><pubDate>Fri, 12 Feb 2010 11:02:00 -0500</pubDate><category>Curiosities, Rick Valicenti + the 21st Century Thirst</category><category>collaboration</category><category>collaboration and research</category><category>Rick Valicenti</category><category>Boca Raton</category><category>Daily Heller</category><category>Florida Atlantic University’s Schmidt Center Gallery</category><category>FAU</category></item><item><title>“What is design?” talk by University of Alberta...</title><description>&lt;object width="400" height="330"&gt;&lt;param name="movie" value="http://www.youtube.com/v/a2xtWAHr6Mc&amp;rel=0&amp;egm=0&amp;showinfo=0&amp;fs=1"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/a2xtWAHr6Mc&amp;rel=0&amp;egm=0&amp;showinfo=0&amp;fs=1" type="application/x-shockwave-flash" width="400" height="330" allowFullScreen="true" wmode="transparent"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;“What is design?” talk by University of Alberta Masters student Robert Andruchow at Pecha Kucha night in Edmonton, Alberta, Canada.&lt;/p&gt;
&lt;p&gt;Found on the blog:&lt;/p&gt;
&lt;h2&gt;&lt;a href="http://designtheory.wordpress.com/" target="_blank"&gt;Design Theory: Discussing what is common to &lt;br/&gt;&lt;br/&gt;architecture, industrial &amp; graphic design&lt;/a&gt;&lt;/h2&gt;
&lt;p&gt;&lt;a href="http://designtheory.wordpress.com/about/" target="_blank"&gt;http://designtheory.wordpress.com/about/&lt;/a&gt;&lt;/p&gt;</description><link>http://capture-release.org/post/382283425</link><guid>http://capture-release.org/post/382283425</guid><pubDate>Wed, 10 Feb 2010 14:53:00 -0500</pubDate><category>Design</category><category>design thinking</category><category>graphic design</category><category>University of Alberta</category><category>Robert Andruchow</category><category>Pecha Kucha</category><category>Edmonton</category><category>Alberta</category><category>Canada</category><category>design theory</category><category>architechture</category><category>Industrial Design</category></item><item><title>Bruce Mau on Design
“Now that we can do anything, what will we...</title><description>&lt;object width="400" height="327"&gt;&lt;param name="movie" value="http://www.youtube-nocookie.com/v/FnNJ_zMOan0&amp;hl=en_US&amp;fs=1&amp;border=1" /&gt;&lt;param name="allowFullScreen" value="true" /&gt;&lt;param name="allowscriptaccess" value="always" /&gt;&lt;embed src="http://www.youtube-nocookie.com/v/FnNJ_zMOan0&amp;hl=en_US&amp;fs=1&amp;border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="400" height="327"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br/&gt;&lt;br/&gt;&lt;h1&gt;&lt;a title="Bruce Mau" target="_blank" href="http://www.brucemaudesign.com/112938/"&gt;Bruce Mau on Design&lt;/a&gt;&lt;/h1&gt;
&lt;p&gt;“Now that we can do anything, what will we do?”&lt;/p&gt;</description><link>http://capture-release.org/post/377363690</link><guid>http://capture-release.org/post/377363690</guid><pubDate>Sun, 07 Feb 2010 22:45:00 -0500</pubDate><category>Design</category><category>interdisciplinary design</category><category>collaboration</category><category>Massive Change</category><category>social change</category><category>graphic design</category></item><item><title>Choices: A Romeo &amp; Juliet Story
Savannah group, A.W.O.L....</title><description>&lt;img src="http://29.media.tumblr.com/tumblr_kwfbglTcG61qzmt62o1_250.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;h1&gt;&lt;a&gt;Choices: A Romeo &amp; Juliet Story&lt;/a&gt;&lt;/h1&gt;
&lt;p&gt;Savannah group, &lt;a title="All Walks of Life" target="_blank" href="http://www.awolinc.org/"&gt;A.W.O.L.&lt;/a&gt; (All Walks of Life) is the city’s only nonprofit Arts and Technology based youth development program that uses hip-hop culture to change the lives of Savannah youth. On February 5-6, the youth are putting on a modern adaption of Romeo &amp; Juliet at the Lucas Theatre read more &lt;a target="_blank" href="http://caltweet.com/34b"&gt;&lt;a href="http://caltweet.com/34b" target="_blank"&gt;http://caltweet.com/34b&lt;/a&gt;&lt;/a&gt;&lt;/p&gt;</description><link>http://capture-release.org/post/340238607</link><guid>http://capture-release.org/post/340238607</guid><pubDate>Wed, 03 Feb 2010 10:00:00 -0500</pubDate><category>A.W.O.L</category><category>All Walks of LIfe</category><category>Romeo &amp;amp; Juliet</category><category>Savannah</category><category>NPO</category><category>Arts and Technology</category><category>hip-hop</category><category>youth development</category><category>Lucas Theater</category></item><item><title>designisforsharing:

Augmented (hyper)Reality:  Domestic...</title><description>&lt;object type="application/x-shockwave-flash" width="400" height="225" data="http://vimeo.com/moogaloop.swf?clip_id=8569187&amp;server=vimeo.com&amp;fullscreen=1&amp;show_title=1&amp;show_byline=0&amp;show_portrait=0&amp;color=00ADEF"&gt;&lt;param name="quality" value="best" /&gt;&lt;param name="allowscriptaccess" value="always" /&gt;&lt;param name="allowfullscreen" value="true" /&gt;&lt;param name="scale" value="showAll" /&gt;&lt;param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=8569187&amp;server=vimeo.com&amp;fullscreen=1&amp;show_title=1&amp;show_byline=0&amp;show_portrait=0&amp;color=00ADEF" /&gt;&lt;embed src="http://www.vimeo.com/moogaloop.swf?clip_id=8569187&amp;server=www.vimeo.com&amp;show_title=1&amp;show_byline=0&amp;show_portrait=0&amp;color=00ADEF&amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="225"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a href="http://designisforsharing.tumblr.com/post/367500391/augmented-hyper-reality-domestic-robocop-by" target="_blank"&gt;designisforsharing&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;h1&gt;&lt;a title="Augmented (hyper)Reality:   Domestic Robocop by Kiichi Matsuda “The latter half of the 20th century saw the built environment merged with media space, and architecture taking on new roles related to branding, image and consumerism. Augmented reality may recontextualise the functions of consumerism and architecture, and change in the way in which we operate within it.   A film produced for my final year Masters in Architecture, part of a larger project about the social and architectural consequences of new media and augmented reality.”" href="http://vimeo.com/8569187" target="_blank"&gt;Augmented (hyper)Reality: &lt;br/&gt;&lt;br/&gt; Domestic Robocop&lt;/a&gt;&lt;/h1&gt;
&lt;p&gt;by Kiichi Matsuda&lt;/p&gt;
&lt;p&gt;“The latter half of the 20th century saw the built environment merged with media space, and architecture taking on new roles related to branding, image and consumerism. Augmented reality may recontextualise the functions of consumerism and architecture, and change in the way in which we operate within it. &lt;br/&gt;&lt;br/&gt; A film produced for my final year Masters in Architecture, part of a larger project about the social and architectural consequences of new media and augmented reality.”&lt;/p&gt;
&lt;!--EndFragment--&gt;
&lt;/blockquote&gt;</description><link>http://capture-release.org/post/367502225</link><guid>http://capture-release.org/post/367502225</guid><pubDate>Tue, 02 Feb 2010 16:51:00 -0500</pubDate></item></channel></rss>
